bio
Hayley Abramowitz, soprano, is dually based in Pensacola, FL and Washington, DC. They hold degrees from the Jacobs School of Music (MM '20, PD '21) and from the University of Maryland (BM '18), where they studied with Carol Vaness and Delores Ziegler respectively. This season, Hayley will be a Jan Milller Studio Artist with Pensacola Opera. There, they will be a featured soloist in the Forty Forward Gala, as well as covering Musetta in La bohème and performing the role of Carrie Pipperidge in Carousel.
This past season, Hayley made their Houston Grand Opera debut as the First Handmaiden in Turandot. They spent the season at HGO as a chorister, performing in Carmen, Dialogues of the Carmelites, Die Zauberflöte, and Turandot. Hayley also presented a recital as part of the Living Arts Concert Series in Burtonsville, MD, which featured Mozart's rarely performed concert aria, Popoli di Tessaglia.
Previous roles and scenes include Romilda (Serse), Nella (Gianni Schicchi), Flowermaiden (Parsifal), Tytania (A Midsummer Night's Dream), Lisette (La Rondine), and Lucy (The Telephone).
A passionate advocate of both early and new music, Hayley has participated in several historically-informed performances - most recently as a member of the 2019 American Bach Soloists Academy - and given numerous premieres, including Longfellow Mosaic, composed by dear friend William Kenlon.
This past season, Hayley made their Houston Grand Opera debut as the First Handmaiden in Turandot. They spent the season at HGO as a chorister, performing in Carmen, Dialogues of the Carmelites, Die Zauberflöte, and Turandot. Hayley also presented a recital as part of the Living Arts Concert Series in Burtonsville, MD, which featured Mozart's rarely performed concert aria, Popoli di Tessaglia.
Previous roles and scenes include Romilda (Serse), Nella (Gianni Schicchi), Flowermaiden (Parsifal), Tytania (A Midsummer Night's Dream), Lisette (La Rondine), and Lucy (The Telephone).
A passionate advocate of both early and new music, Hayley has participated in several historically-informed performances - most recently as a member of the 2019 American Bach Soloists Academy - and given numerous premieres, including Longfellow Mosaic, composed by dear friend William Kenlon.
